Orchestra	Opera	Ballet

 

Opera

To conduct opera demands the deepest understanding of music's roots in singing and the act of breathing and phrasing. For many this comes from accompanying singers in preparation and rehearsal. However, having been steeped in a different tradition, that of pure instrumental music, Philip brings to this great art form a clear and uncluttered view which allows him to see through the many habits and mannerisms to the original musical intentions of the composer.

 

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Operatic Repertoire

"If, to use a mathematical analogy, instrumental music is "pure music" then opera is "applied music". The collaboration between voices, instruments, text and the theatre is a complex and exhilerating one and requires close co-operation between Conductor and Stage Director. The exact balance of power in this relationship is, in itself, an endlessly contentious subject giving rise to hours of delicate discussion, usually, but not always, managing to stop short of violence!"